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Its barreling energy and introspectiveness recall the work of fellow crooner Future, who took T-Pain’s digitized sound and made it darker and harder-hitting to critical and commercial success. “Phone smell like tears, how my dawg get up in there,” he sighs. Over filtered synth plucks and stuttering snare claps, he harmonizes from the other side of the phone to a friend in jail, wondering what placed them on opposite ends of freedom. Things start out relatively strong with the opening title track, which sees T-Pain strike a more serious tone than usual. As a result, what starts as a fun ride down memory lane quickly turns into a grating slog by a trendsetter who frustratingly still hasn’t gotten his due. His newest project, 1UP, is no different, with many of its 12 tracks sounding like they could have come from his 2005 debut. By the same token, his refusal to try anything new on his recent albums has stifled his ability to capitalize on the goodwill he’s garnered. Thus it’s hard to separate T-Pain from the technology that he reintroduced to the world (it first infiltrated pop nearly a decade earlier on Cher’s 1998 smash “ Believe”) and continues to lean on heavily. With the massive success of his early singles like “I’m Sprung,” “I’m N Luv (Wit a Stripper)” and “Buy U a Drank,” he ushered in a new landscape for pop music that’s still going strong today, influencing everyone from Paul McCartney to A Boogie Wit Da Hoodie to harmonize through an audio processor. No one considered the Rappa Ternt Sanga, who, upon shedding his mask and on the verge of tears, explained, “I didn’t get a chance to enter the game with my natural voice.this helped get my voice out there.” It only took a few performances dressed like a nightmarish Monsters, Inc. The show’s judges guessed the identity of “The Monster” was a former R&B star, like Jamie Foxx or Tyrese Gibson, or even Darius Rucker.
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Now, five years later, he’s shocking us once again, this time by winning a reality singing competition that required him to shroud his identity in a furry cyclops costume and belt Sam Smith ballads.
#Im in love with a stripper accoustic series
How many times can we be surprised by the strength of T-Pain’s voice? Back in 2014, clips of the multi-platinum, Grammy-winning artist singing without the aid of Auto-Tune for NPR’s ”Tiny Desk” series quickly went viral for their deft display of vocal control, proving that the man who soundtracked our high school proms and parties with pitch-corrected pop anthems could command a room with his God-given croon.